JAIJITH'S PAINTING REVIEW

  This Painting has been known as the best painting in the Kerala tradition of temple festivities. Here a male elephant walks ahead in front of the Dravidian style temple of South India.  Here the mahot is absent ,however a golden nose ornament (of elephant) carrier of the elephant is present as in modern Kerala temple processions. Here I am indicating an unknown fact from the shadow of the elephant (in sunshine).The elephant is truly unaware of the surroundings which is vacant ,devoid of rush, and hence the trunk touches the ground. Now we can see that the time is around afternoon from the sunshine and shadow formation. Elephant is in need of water as indicated by the trunk touching the ground. This position has been described as the Royal elephant pose among the elephants with high degree of intelligence.This elephant is classified as Heavenly type as per Gaja lakshana . This elephant procession has been called as "Ulsavam" in Malayalam language,after which the royal bath k...

                                                                                                                                                           The Bride in the painting is typical Kerala style of dressmaking and ceremonial gesture in the first night celebration of the Kerala wedding style.This practice was followed in the 1950s era in our Kerala state .This was followed by Nair, Brahmin and Thiyya alike in whole of Kerala. This indicates the divine worship style of Nataraja posture in Kamakhya (kamakshi) dance style. The Bride wears red sari and golden yellow blouse with yellow lining fo...

  This Painting indicates the third eye element in Royal art.This women wants to control the nation in the right way using Hindu tantra of the Supreme Mother Goddess of India.

  This Painting is from the Mughal collection of Royal art in the Mughal era.The Painting indicates a Queen smelling a Lotus which shows her intention to control whole of India in the right way.This is heart element painting of the Mughal era in India.

The above Painting indicates earth element in Art

The above Painting indicates the Yogini tradition of travelling boat paintings in the aghora tantra tradition of the Royal Bengal school of Art and culture.This has been known as the perfect example of the Water element painting ,the Svadishttana chakra. Here the Yogini-mother rows a small cane boat made from jute and natural string.This has been called as the right Samapragyata of the Buddhist tradition of Painting and wisdom.  Here is the final verdict.This painting has been known in the South as the Royal Bengal Art of cane paintings which indicates LOVE and SEXUAL PROWESS as its base character.This has been always the best path of Left hand tantrics of Vamachara school of Bengal tantra based at the Kamakhya Mother goddess temple at Assam.