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Showing posts from November, 2025

KERALA NAIR LADY - PAINTING -12

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  This Painting is indicating a typical Kerala woman in her youth dressing in royal attire with the traditional umbrella. This has been known as the best pose of Kerala Nair lady in that era. The above painting indicates the teevra shaktheya tradition of Indian art. Here umbrella has layers of coconut fibre and jute added with circular way of stitching together.  This has been further enhanced by a turning wheel at top which locks the fine layers of hard coconut jute material.This indicates a procedure of brain mapping where the person initially stays at the centre and then moves in circles one after another till it reaches the outermost layer of the jute .  This has been known as the Panchatantra way of analysis in ancient Indian chaturanga. In west this analysis method was introduced by Asians in a milder way ,which took footage among westerners in a massive scale.  Unlike Asia ,western nations have invested huge money in research of Indian occult wisdom.Here peopl...

TEMPLE ELEPHANT PROCESSION - PAINTING - 11

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  This Painting has been known as the best painting in the Kerala tradition of temple festivities. Here a male elephant walks ahead in front of the Dravidian style temple of South India.  Here the mahot is absent ,however a golden nose ornament (of elephant) carrier of the elephant is present as in modern Kerala temple processions. Here I am indicating an unknown fact from the shadow of the elephant (in sunshine).The elephant is truly unaware of the surroundings which is vacant ,devoid of rush, and hence the trunk touches the ground. Now we can see that the time is around afternoon from the sunshine and shadow formation. Elephant is in need of water as indicated by the trunk touching the ground. This position has been described as the Royal elephant pose among the elephants with high degree of intelligence.This elephant is classified as Heavenly type as per Gaja lakshana . This elephant procession has been called as "Ulsavam" in Malayalam language,after which the royal bath k...

BRIDE IN WEDDING NIGHT - PAINTING -10

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                                                                                                                                                           The Bride in the painting is typical Kerala style of dressmaking and ceremonial gesture in the first night celebration of the Kerala wedding style.This practice was followed in the 1950s era in our Kerala state .This was followed by Nair, Brahmin and Thiyya alike in whole of Kerala. This indicates the divine worship style of Nataraja posture in Kamakhya (kamakshi) dance style. The Bride wears red sari and golden yellow blouse with yellow lining fo...

QUEEN AT THE STAIRS - PAINTING -9

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  This Painting indicates the third eye element in Royal art.This women wants to control the nation in the right way using Hindu tantra of the Supreme Mother Goddess of India.

MUGHAL QUEEN SMELLING LOTUS - PAINTING -8

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  This Painting is from the Mughal collection of Royal art in the Mughal era.The Painting indicates a Queen smelling a Lotus which shows her intention to control whole of India in the right way.This is heart element painting of the Mughal era in India.

LANDSCAPE ART - PAINTING - 7

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The above Painting indicates earth element in Art

CANE PAINTING - PAINTING- 6

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The above Painting indicates the Yogini tradition of travelling boat paintings in the aghora tantra tradition of the Royal Bengal school of Art and culture.This has been known as the perfect example of the Water element painting ,the Svadishttana chakra. Here the Yogini-mother rows a small cane boat made from jute and natural string.This has been called as the right Samapragyata of the Buddhist tradition of Painting and wisdom.  Here is the final verdict.This painting has been known in the South as the Royal Bengal Art of cane paintings which indicates LOVE and SEXUAL PROWESS as its base character.This has been always the best path of Left hand tantrics of Vamachara school of Bengal tantra based at the Kamakhya Mother goddess temple at Assam.  

LORD KRISHNA PAINTING - 5

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Lord Krishna is shown as a little boy playing with precious gems and pebbles sitting below a Kalpa vriksha in the Heaven realm of the Swarga-loka. This indicates the way of the riches getting available for any pious person in this world. The navel chakra indicates FIRE element which has direct contact with the Swarga loka as fire-ahuti of Vedic havan. Now let us consider the above case as one among the many Paintings of the Orissa tradition of divine paintings .This has been described as the best endeavour in modern serious painting artworks. Now,here is the final verdict on this painting. This painting shows the most original aspect of Lord Krishna as balagopala , the cow herd boy who raises cattle in mountains and plains of North India at the time of Mahabharata katha.  

RAKTA CHAMUNDI MATA - PAINTING -4

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This Painting is based on the Khajuraho style of Paintings.This depicts the Goddess Rakta Chamundi Mata in her aghora form.The peahen on Her shoulder indicates prosperity of the place.This has been declared as the perfect painting in the Madhya pradesh tradition of Royal art painting. Now, let us analyse the Painting. This Painting shows the Goddess rakta chamundi Mata in her extremely benevolent form.This has been known as the most intricate aspect of human endeavour which is indicated by Hen ,which means the male-female combination of Lord Shiva ,which represents the third eye .The straight eye line indicates the third eye beyond Sahasraara ,the eighth and ninth chakras which are present in human heart chakra.

VEENA RECITAL - PAINTING -3

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This Painting is famous work of legendary Painter from the Kerala Royal Tradition of Art ,Raja ravi varma . The Lady clearly plays music which is based at throat chakra .Here it becomes extremely attractive since the neck element is believed to be invisible to human perception as per the Kerala Kalari tradition.  Now let us analyze the art in our way of interpretation. The Lady is relaxing after shower and the Gandharva instrument of Chitra-veena is very pleasing to hear.This shows that the Lady is extremely gracious in her looks and attitude. The difficult part arises here ,since She has nose-ornament ,which indicates adherence to social norms as per the Bharatanatyam dance school of South India. The third eye way of perfect in-line vision suggests She is of Royal attitude of that time.Hence here is the final vedict. She has revived the music tradition by combining the South Indian Canaric style with the North Indian Indo-Persian Art style

LADY MAKING GARLAND - PAINTING -2

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In the given Painting, a Lady is shown making garland.This is known as third-eye painting,because tieing the flower garland needs intense concentration of the third eye (mind ) Now ,this has been known as a simple painting of Raja ravi varma,which has the Eastern tradition of Painting art. Raja ravi varma introduced the mural tradition of our nation in Oil painting based western style.Hence this analysis has to be best method from east and west .This is known as the third eye method of painting analysis.  Here in the third eye method, eye glance has to be in direct line with the painting reader and not inclined or top to down visibility line of vision. My view point of this picture is based on my own experience in rosary and garland making(tie).Here a simple mistake can spoil the entire hard work.Hence this work has been abandoned by many people in modern age. Now ,here is the analysis.The rose coloured petals of flowers indicate the colour of India (the Jambu-dweepa island of the ...

Peacock painting review - 1

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  The Peacock here is designated by Kerala mural style framework. Here I am giving the latest craze in Analysis path - Painting review. Here Peacock is standing and looking downwards. This style is found in Kerala mural artworks. The Peacock is searching for treasure below flowing river .Peacock is atop a tree and showing the way to collect gold from below water.  Now , I am here presenting a unique method of Painting analysis which is known as Inverted tree analysis method in Indian folklore Art. Here is it... The Peacock represents the crown chakra in Kundalini based meditation technique .Hence this has the HEAD element added to it.  HEAD has top of the world ,which is atop a big Fig tree.Now Human nervous system is inverted Banyan tree concept in Hindu Tantra. So the tail of the Peacock is sometimes referred to as Ultimate power source,since tail is the top of crown chakra. Now let us summarise the above method of inverted tree in Painting review .The inverted tree is ...